Beyond the Tragic Mulatta: The Case of a New Negro Woman

Abstract

Zora Neale Hurston’s Their Eyes Were Watching God presents a radical departure from the tragic mulatta trope in African American literature by centering a black feminist protagonist, Janie Crawford, who is neither defined by racial ambiguity nor constrained by the moral expectations imposed on middle-class black women of the 19th and early 20th centuries. Unlike her literary predecessors, Janie speaks in black vernacular, embraces her sexuality, and ultimately finds agency outside of marriage, despite the novel’s exploration of love and relationships. This paper argues that Hurston’s portrayal of Janie’s three marriages illustrates a pessimistic view of black women’s status within love and marriage, revealing that even true love cannot fully liberate them from patriarchal constraints. Through an analysis of Janie’s relationships, this paper demonstrates how Their Eyes Were Watching God challenges intra-community sexism and critiques the internalization of white patriarchal values by black men. Additionally, it explores Hurston’s literary innovations, particularly her use of black dialect and folklore, as an intervention against white literary standards and a foundation for later black feminist narratives. Hurston’s use of black dialect and folklore functions not merely as a literary gesture, but as a deliberate political and aesthetic intervention. The black vernacular, often seen as non-literary or even “primitive” in dominant white and even black literary standards, becomes in Hurston’s hands a medium of authenticity, resistance, and empowerment. By embedding Janie’s voice within this dialect—particularly through her dialogues with other women and her defiance of male authority—Hurston decentralizes white linguistic norms and reclaims black southern oral traditions as legitimate literary forms.By foregrounding the singularity of Janie’s experience, Hurston’s novel marks a turning point in the representation of black women in literature, paving the way for subsequent authors like Alice Walker and Toni Morrison to further explore Black female autonomy and agency.